But larger questions of idea and form, image and projection, sight and gaze also find nuanced and intelligent treatment. The story of the rape is there, blended with Gentileschi’s unbearably compassionate painting of the biblical character Susanna, who was ogled and shamed in her bath. “Artemisia” lasts just 80 minutes, but fits in big themes set to music of quivering intensity. She went on to attract the attention of Cosimo II de’ Medici, befriended Galileo Galilei and worked in London at the invitation of King Charles I. At a court trial, her assailant was convicted, but only after she had been subjected to torture to verify her testimony. The daughter of a painter, she was raped by her teacher when she was a teenager. Gentileschi’s life story could provide fodder for many hours of music drama. Along with the Five by Five EP released earlier in 1994, it introduced Pizzicato Five to a Western audience. Paul’s Chapel on Thursday (and repeats on Saturday). Made in USA is a compilation album by Japanese pop band Pizzicato Five.The album was released in the United States on Octoby Matador Records, serving as the bands first full-length, and second overall, American release on the label. The composer Laura Schwendinger and the librettist Ginger Strand achieve something similar in their potently claustrophobic opera “Artemisia,” which received its staged premiere at Trinity Wall Street’s St. Like Caravaggio before her, the Baroque painter Artemisia Gentileschi knew how to build scenes of taut drama with far-from-idealized figures crammed into a constricted pictorial space and bathed in harsh light. Gosling, as well as some lights-out playing by Ms. But in the meantime, anyone looking for music similar to some of the works heard on Thursday should acquire “ The Interpretation of Dreams” - a stirring 2017 disc that includes a piano quintet for the JACK players and Mr. It probably won’t take very long for some of these pieces to appear on recordings from Mr. Sorey and the bassist Shanir Ezra Blumenkranz - also contained stretches of luminous brooding, suggestive of noir film music. And between its quick-changing volleys of Zornian exultation, “Konx Om Pax” - played by Mr. Gosling’s take on the piano-miniature series “Encomia,” which included tributes to composers as diverse as Charles Wuorinen and Debussy. Among the premieres, I was most struck by Mr. The JACK Quartet, the pianist Stephen Gosling, the percussionist Tyshawn Sorey and the vibraphonist Sae Hashimoto all made multiple appearances. The musicians who gathered to perform the hour-plus set of new and recent pieces was something of an all-star team. He had reason to be confident in his cast. Zorn is rare among new-music ringleaders in his frequent avoidance of energy-sapping intermissions.) He said a few words about each piece, encouraged applause, and then got off the stage. with relish, taking microphone in hand to introduce each successive grouping of players. The John Zorn show came to the Miller Theater at Columbia University on Thursday.
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